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Public Art - Seattle University
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Seven Social Sacraments
(A Commission for Seattle University)
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Oversize Color Pencil Drawing by J. Michael Walker
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In 2003 I received a marvelous, challenging, and ultimately most fulfilling commission from Seattle University, to create a major piece for the lobby of the new Student Union building.
The original impetus for this commission was a desire on the part of alumni to commemorate a cherished mentor, Father Joe McGuire, who had recently passed away from cancer.
While the expectation was that an artist would create a sculpted bust of "Father Joe" (as he was known to one and all), or a painted portrait focused on the priest, I had a sixth sense about this opportunity from the very beginning.
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Although I never henjoyed the gift of meeting Father Joe, I suspected he would not wish to be the focus of the commissioned artwork; additionally, it occurred to me that, although the alumni had known him well, none of the current or future students would.
I wanted, instead, to focus on communicating with the students - this was, after all, a piece for the Student Union.
In conversations with the students I learned that they had a strong social consciousness and commitment: volunteering in food banks, soup kitchens, health clinics, and on goodwill projects around the globe.
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Therefore, the idea I came up with was to focus on the Church's seven sacraments - Baptism, Confirmation, Reconciliation, Consolation, Matrimony, Holy Orders, and the Eucharist - but to, in essence, secularize them, by showing how they can be / are enacted in our everyday interactions with one another.
Remarkably, in validation of the openness of Seattle University's religious community - and, I felt, through the invisible persuasion of Father Joe's spirit - I was given free reign to explore this unexpected approach.
It is also to the credit of Mary Romer, then head of Campus Ministry, who shielded me from criticism and inquiries as I worked in Los Angeles, a thousand miles away, for six months on this wholly unexpected piece.
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From the beginning I also intuited that the face of the Christ figure, central to the Eucharist panel and its meaning, should be someone from the First Peoples of Seattle - the Coast Salish peoples of Washington State.
I had the great good fortune and honor to meet and make friends with one of their elders, Ray Williams, who agreed to pose for me.
I also enclosed the piece within a Coast Salish blanket design, thus showing the Native Peoples as protectors of this land and all upon it.
The faces are of Seattle University students; Father Joe appears at bottom center, leading us in song (He was a famed Irish tenor).
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The Seven Social Sacraments of Seattle
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by J Michael Walker, 2003
Color pencil on watercolor paper, 80" high x 110" wide
Collection, Seattle University
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